So far in the How Much Is Your Music Worth? series we’ve determined that music has different values to different types of listeners, classified three kinds of listeners/fans, and examined how to get your music into the ears of people who haven’t heard you. Today, we’ll look at getting those casual listeners to be real fans of your music.

There are three components that go into converting listeners into fans: Communication, Inclusion, and Incentive.

Communication: Ideally, after you make it easy for listeners to access your music for the first time (streaming, free downloads, etc. discussed in Part 2) they’ll give you permission to contact them via email or social network (i.e. Facebook or Twitter). Now’s the time to cash in on your database.  Use these communication tools to keep your fans informed about upcoming shows, music releases, and special events such as contests. Get into a routine of when and how often you’ll send updates, as well as what method you use to send particular updates.  For example, you might decide to send a weekly email newsletter that gives a general overview of upcoming events, make spontaneous and last minute announcements on Twitter, and send segmented messages via Facebook and text message (i.e. use the geographic filtering capabilities on tools like Facebook and Fanbridge [a great email and text messaging client for bands] to tell your fans in Atlanta, and ONLY your fans in Atlanta, that you have a show at Apache Cafe next week). The key here is to provide relevant information to fans so that they know what’s going on without engaging in information overkill.  I hate to get a Facebook message or text from a band saying they have a show 450 miles away from me that night.  If a band sends too many irrelevant messages, I unsubscribe from their fan list… I’m sure I’m not alone in this.

Inclusion: Make your casual listeners feel like they’re part of the family.  Get personal with them through live chats.  Answer their Twitter @ replies (make sure YOU answer them, not your rep).  Show them that you value the fact that they gave you permission to communicate with them and that you take the time to listen to them, just like they take the time to listen to you. A personal touch goes a long way.  When you’re in their area for a show, “personally” invite them by shouting them out on Twitter (hey, @myfan and @myfan2, and I have a show tonight at B.B. King’s. Let me know if you’re coming through!).  Note: If you want to do stuff based on geography, make sure you create ZIP Code, Area Code, City, and State fields on your email sign-up form.  A lot of email/text clients will let you filter specific fans based on that info. A couple of days before a show, run a filter on your database and make contact with your fans.

Incentive: Reward your casual listeners for engaging in “fan activity”.  As mentioned in Part 2, NoiseTrade offers fans a free copy of your music in exchange for submitting three of their friends’ email addresses to your list.  Create contests that offer some type of exclusive access (lunch/dinner with you and the band before a show, backstage pass, invitation to a recording session) or valuable prize (iPod, Flip camera, etc.).  Just get people engaged in your community.  They’ll start to connect with you and your music. Then the foundation will be set for a relationship that can lead to them being hardcore fans, which we’ll discuss in Part 4, the “How Much Is Your Music Worth?” finale.

Make sure to subscribe to BeingAKB updates via email or RSS so you don’t miss the rest of the “How Much Is Your Music Worth” series or the Digital Music Strategy Basics series starting on January 4, 2010!

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In How Much Is Your Music Worth?: Part 1 we talked about an issue many independent musicians face: placing a value on their music.  In short we determined that music’s value differs among different fan audiences and that these audiences can be categorized into three distinct groups: a) People Who’ve Never Heard of You, b) Casual Fans, and c) Hardcore Fans.

Today we’ll concentrate on how to get people who’ve never heard of you to listen.

Make It Free and Easy: I’m not just talking about money.  Make it free from commitment and free of hassle.  Upload an .mp3 file to a service like zShare or Supload and make the link available to stream and download. Stream the song on your website.  Don’t ask the fans for anything like money or an email address for the privilege to listen/download…just give them access to the music.  If they don’t like it, they can go away and be done with it.  If they do like it, they’ll want to know how to get more music.  This is the point where you’ll direct them to sign up for your email list and/or visit your website.  It doesn’t take anything complex. Just a simple message like “Like what you heard? Sign up for my email list for updates on new music and performances at http://……”. The object is to keep the listener engaged and to make getting to know you as easy as possible.  Who’s going to pass up a free listen?

Leverage Your Fans: Unless your fan list only consists of hermits and sociopaths, it’s safe to say that all of your fans have friends with similar interests.  Of these interests, I’m willing to bet that music is one of the most common shared among them. Connect with your fans and have them spread the word about your music through a resource like Noisetrade, a tool that gives fans free music for telling people about you (for a full profile on Noisetrade, check back this Wednesday). Start an affiliate program that rewards your fans for spreading the word about your new music.  Start a street team (online or traditional). This way you’re making current fans happy and getting your music into new ears. You want to create VALUE for all parties involved.

Don’t Beg: Don’t beg people to listen to your music. It’s annoying and it makes people skeptical of your talent (Think about it…if you were asking someone on a date and resorted to begging, something’s wrong. Same concept here.).

Don’t Spam People: Email and social networks like Twitter and Facebook make it easy to get your message to the masses. It also makes it easier to get your message to people who could care less what you have to say.  Spamming people won’t get you a lot of listens, but it WILL blacklist you from a lot of potentials fans. Instead of sending random messages to people you don’t really know on social networks, leverage your current fans (as described above) and get THEM to spread the word about you.

Tomorrow we’ll look at keeping your casual fans happy and how you can make them hardcore fans. Until then, here’s a question for you: What are some creative ways you’ve gotten people to listen to your music? You can answer in the comments section below!

Make sure to subscribe to BeingAKB updates via email or RSS so you don’t miss the rest of the “How Much Is Your Music Worth” series or the Digital Music Strategy Basics series starting on January 4, 2010!

  • AIM
  • Amazon Wish List
  • Global Grind
  • AOL Mail
  • Digg
  • Delicious
  • Facebook
  • Google Reader
  • LinkedIn
  • MySpace
  • Squidoo
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  • Twitter
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Weekend Reading: Seth Godin and the Music Industry

December 20, 2009

“Smart businesspeople focus on the things they have the power to change, not whining about the things they don’t.” – Seth Godin
Seth Godin is great at putting things into perspective, especially when it comes to industry change and the need to adapt to what customers want instead trying to dictate what they can get.
His latest [...]

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How Much Is Your Music Worth?: Part 1 – Depends on the listener…

December 17, 2009

How much is your music worth?
I didn’t ask how much you think it should be worth or how much you want it to be worth.  How much is your music actually worth?
Truth is, there isn’t a clear cut answer to this question.  Your music is worth different things to different people.  Someone who’s never heard [...]

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Lunch Break Reading: December 17 – The Importance of Team Building; Mobile Music Consumption

December 17, 2009

How Your DIY Attitude Is Keeping You Poor (Copyblogger via @upwardaction): Great read on the importance of sharing the wealth and building a team of like-minded, complementary colleagues.  Especially relevant to independent musicians.
Internet Broadcasting Grows as Radio Stumbles (via hypebot): Interesting chart/blurb on how people are consuming their music on the go.  Internet radio is [...]

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Digital Music Strategy Basics: The Series

December 16, 2009

2010 is going to be a big year, and I plan to kick it off with a series (hopefully one you’ll find helpful).
“Digital Music Strategy Basics”, a 7-part series” will kick off on January 4, 2010.  Based on my thesis, I’ll be looking at the components needed to create a successful digital music strategy. The [...]

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Resource Wednesday: Using Klout to Build Fan Relationships

December 15, 2009
Thumbnail image for Resource Wednesday: Using Klout to Build Fan Relationships

I’ve been looking for a way to evaluate my Twitter experience.  Last week, I found it in a tool named Klout.
Simply put, Klout measures a person’s sphere of influence on Twitter using a simple algorithm.  Users get a score between 0-100 that represents the size and strength of their Twitter experience.
Klout can be particularly helpful [...]

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Music Fans Get What They Want

December 13, 2009

Billboard’s annual year-end double issue showed up in my mailbox today and, in true nerd fashion, I’m amped.  I was just flipping through it on the way from my mailbox to my apartment and a quote jumped out at me:
“If the consumer wants their music delivered a particular way, then the consumer has, in this [...]

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Where Have I Been?

December 12, 2009

Short answer…”Working.”
It’s not a bad thing. I like the simple things in life, like eating and being able to pay rent.  Working facilitates these things quite nicely.
Equally importance, I’ve been working with some pretty cool people.  In addition to the working as a recording engineer, I’ve had the privilege/pleasure/honor of working with the talent Leah [...]

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I Want One: Rubik’s TouchCube

October 7, 2009

I gotta get one of these. The best play on a traditional toy I’ve seen in a long time. Worth the $150?

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